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2 Corinthians 4:3-6

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Commentary

Emphasis Preaching Journal

Transfiguration or disfiguration -- 2 Kings 2:1-12, 2 Corinthians 4:3-6, Mark 9:2-9 -- R. Craig Maccreary -- Transfiguration Sunday - B
The transfiguration plunges us into the kind of text that many preachers would rather avoid if possi

Illustration

Emphasis Preaching Journal

I`m just proclaiming the... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - B -- 1997
"I`m just proclaiming the message, so don`t kill the messenger.
While most people grumble as... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - B
While most people grumble as the days of winter get shorter and shorter, some people sink into a dee
Eight-year-old Nathan is... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - B
Eight-year-old Nathan is all about spies and doing things without anyone noticing.
Warner Sullman's The Head of... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - B
Warner Sullman's The Head of Christ is probably the best known painting of Jesus, at least in
This text raises the question... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - B
This text raises the question: Where do we see Christ's face today?
What image does the Dance... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
What image does the "Dance of the Seven Veils" conjure up in your mind?
An eminent theologian who lived... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
An eminent theologian who lived in the first half of the 20th century was the late John Oman.
The central quality of true... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
The central quality of true preaching contains a paradox.
Several years ago in England... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
Several years ago in England, a man wrote to the editor of the British Weekly.
The young boy had gone... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
The young boy had gone miniature golfing with his father and other relatives and was the youngest in
I'm finally beginning to see... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
"I'm finally beginning to see the light," is not an uncommon phrase.
Clay pots (v. 7) were... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
Clay pots (v. 7) were the tin cans of the ancient world.
When what we preach is... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
When what we preach is not ourselves, but Jesus Christ, there is often an unmistakable radiance that
But the marks of pathos... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
But the marks of pathos and suffering were on that face.
One of the first songs... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
One of the first songs I learned as a child in Sunday school was "This little light of mine, I'm gon
To be able to write... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - C
To be able to write and express oneself is a joy.
Written large in the scriptures... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - B
Written large in the scriptures is the affirmation that what we human beings need most desperately i
Gert Behanna, the author of... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - B
Gert Behanna, the author of The Late Liz, tells about a daughter of a New York millionaire w
It was Dale Wasserman who... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - B
It was Dale Wasserman who gave us the musical version of Don Quixote, Man of LaMancha.
Have you ever watched a... -- 2 Corinthians 4:3-6 -- Transfiguration Sunday - B
Have you ever watched a good verbal fight between two people?
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New & Featured This Week

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John Jamison
Object: This message is a role-play for your children and requires no additional objects.

Note: You can use this role-play with a large or very small group. You will want one child to play Thomas, one child to play Jesus, and the rest of the children to play the disciples. When I have had only had one or two children, I have “volunteered” an adult or two to help out.

* * *

Hello, everyone! (Let them respond.) Are you ready for our story today? (Let them respond.) Excellent! Let’s get started!

The Immediate Word

Thomas Willadsen
Christopher Keating
Dean Feldmeyer
Mary Austin
Katy Stenta
George Reed
For April 27, 2025:

Emphasis Preaching Journal

Bill Thomas
Frank Ramirez
Mark Ellingsen
Bonnie Bates
Acts 5:27-32
The Acts of the Apostles begins with the ascension of Jesus, and the arrival of the Holy Spirit who galvanizes them to begin the spread of the Good News of Jesus the Christ. It is not long, despite signs and wonders, that the apostles find themselves facing real opposition. Arrest and threats. However, in the leadup to this passage, they ignore these threats and continue to share the Good News. The news about this comes to the religious leaders while they’re debating what to do about them.
Frank Ramirez
Sometimes movies end with the “happily ever after moment.” Finally — Hooray! Sometimes movies begin with the “happily ever after moment.” Roll up your sleeves. The real fun is just beginning.

Acts 5:27-32

StoryShare

Frank Ramirez
Every eye will see him…. (v. 7)

The speed of news is not quite instantaneous. There’s this traffic cop called the speed of light that strictly enforces that 186, 242 mile per second speed limit built into our universe. If there’s a way around that limitation it remains the stuff of speculation — out of this world speculation.

The Village Shepherd

Janice B. Scott
Thomas had never seen his friends so excited. Peter's eyes were shining, and he could hardly contain his impatience. John was always quieter than Peter, but even he seemed full of barely suppressed eagerness. They were both tugging at Thomas, while at the same time dancing round him.

Thomas reluctantly agreed to go to the cave with them, although he continued to think they were mad. "If there was nothing there last week, how can it have changed now?" he kept asking.

SermonStudio

Schuyler Rhodes
Anyone can throw a party. It's easy to jump up and down and shout loud "alleluias." Pay the DJ, set out the drinks and the buffet table, and that's about it. At first, it's a blast! Whirling bodies and pulsing rhythms fill the night. Laughter and clinking glasses seem like an endless and joyful dialogue. But, by midnight it all starts to get a little old. People get tired of shouting and dancing and head home because they have to work the next day. The DJ was only hired for a few hours and he, perhaps, has another gig at an after-hours club across town.
Richard E. Zajac
... Unless I see... I will not believe...

I must credit the Reverend R. Maurice Boyd for this talk. Many of its ideas stemmed from "Consequences of Candor," a chapter in his book Corridors of Light.1

__________
David Kalas
When the curtain opens on Scene Two, we see a familiar scene. It is the austere, official chamber where the Sanhedrin hold court. The room is cold and intimidating. It feels even more so when the first characters begin to arrive on stage.

These are the members of the Sanhedrin: the leaders in the land who form the ruling council for the Jews of first-century Palestine. They are a distinguished looking group. They are well-dressed, well-manicured, and well-to-do. Their faces betray the seriousness of the purpose for which they have gathered.
Henry F. Woodruff
No cavalry rode to the rescue; this time the savior was technology. Here is how it happened. Longing for more intimate communication between preacher and congregation, the church purchased and installed a wireless microphone system. With an FM receiver in place and wearing a lapel microphone, the preacher could get out from behind the pulpit or lecturn and roam about, even into the midst of the congregation.

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